Thursday, September 26, 2013

Nashville

Last weekend, I spoke at a Society of Children's Book Writers & Illustrators conference in Tennessee. These regional conferences are always inspiring. They're a chance to meet, or re-meet, many people who all share a similar interest that's a huge part of our lives. I was particularly looking forward to this conference because it was only a few minutes from a city I've always wanted to visit...
 
Nashville!
 
I used to hate country music. I found it so...twangy! God gave us vibrato for a reason, y'all! But over the years, especially from a historical aspect, I learned to appreciate it. When my wife began singing in a bluegrass band, I actually learned to really enjoy certain aspects of it. And now, after spending a few days at its epicenter, I will actually call myself a fan.
 
Yes, a few days in Nashville can do that.
 
Before the conference officially began, I toured the Ryman Auditorium. It's referred to as the Mother Church of Country Music, for its history with the Grand Ole Opry radio show and its appearance.
 

They have instruments and clothes on display from different acts that performed there. One legendary duo that first met backstage at the Ryman was June Carter and Johnny Cash.


At the conference, I gave a two-hour workshop on writing suspense, a 45-minute opening keynote about my journey as a writer, a one-hour talk on co-authoring a book, one hour of Q&A, autographed some books, gave twelve writers critiques on the first ten pages of their manuscripts, and did a little author fanboying of my own.

I bought Kristin O'Donnell Tubb's Selling Hope. And since a good chunk of this post is about country music (which I'm now able to write without gagging because I've come a long way), an awesome tidbit is that Kristin's husband is Ernest Tubb's grandson. And Ernest Tubb is a huge figure in country music!


It's always nice to meet up with Candie Moonshower. We both won SCBWI's Sue Alexander Award years ago, and have been bonded by it ever since.


I can't go to an SCBWI conference without bringing something home for Izzy. This time, he got a signed copy of this book by Shellie Braeuner. She even personalized it with a doggie joke about garbage cans because she knew of my li'l one's fascination with all things garbage truck related!


After the conference, the faculty and organizers dined at Monell's at the Manor, southern comfort food served family style. And oh my goodness, this must've been my favorite meal in years! I ate as much as I wanted of some of the yummiest food to ever grace this planet.

Was it healthy? Don't bring me down, man! It was yummy and let's just leave it at that.

clockwise, starting on the left:
Courtney Stevens, Jordan Brown (editor), Sharon Cameron, Michael Bourret (agent), Kristi Valiant, Mary Uhles, Stephanie Fretwell-Hill (editor), Loraine Joyner (art director), Kristin O'Donnell Tubb, Bethany Griffin, Susan Eaddy, Josh Adams (agent), Bonnie Bader (editor), Genetta Adair (SCBWI Regional Advisor), and Lisa Cheng (editor)

Then it was off to the new home (since the 1970s) of the Grand Ole Opry. It was honestly an emotional experience, after hearing the backstory of the Opry, to step onto the stage in the same way a musician would.


One thing I love about the tours I took is the way so much of what I saw paid respect to what came before. When they moved the Opry production from the Ryman, they cut a circle from the stage (not from center stage, but from the side so it would contain the historic footsteps of all the musicians, not just the center stage performers), and placed it into the new stage.


And yes, even before I knew I'd be coming to Nashville, I watched the TV show of the same name. So I just had to stop by the Bluebird Café, a real venue routinely highlighted in the show. But apparently I wasn't the only one to think of stopping by. The place was packed, both inside with patrons and outside with wannabe patrons. They even placed a jug of water outside to keep people hydrated as they waited. Wasn't that nice? But I didn't have time to wait in line.


So I stopped by Nashville's full-scale replica of Greece's Parthenon. (Apparently, it was moving day.)


The Country Music Hall of Fame and Museum walks you through the music's folk and bluegrass roots to the more pop country of today. Again...history! There were instruments, recordings to listen to, and handwritten lyrics to songs like Jolene, by Dolly Parton.


There were also stage clothes on display, even from the fictional Nashville on TV. These were the dresses worn by Rayna and Juliette when they sang Wrong Song at the Ryman Auditorium.


And then...


On this amp, Luther Perkins recorded the guitar parts for some of Cash's earliest and biggest hits.


And here's a record from the first pressing of Cash's first recording session.

 
I love historical things like that. No one could've guessed where those recordings would lead. They had no idea.
 
And since I write for teens, here's Cash's junior year photo from his high school yearbook. This guy had no idea what was coming down the line.
 

Wednesday, September 18, 2013

Connelly-Con

Last Friday, I spoke at the Cornelia Connelly School in Anaheim, CA. Everyone at the school had read Thirteen Reasons Why prior to my presentation. That, as I've said many times before, makes for a very fun visit!
 
I always like looking around school libraries. This library had a nice display of books students might like if they wanted something similar to Thirteen Reasons Why.


It was also cool that this visit landed on...


If you look closely at the audience in the photos below, you'll notice a lack of something.



Yep. No boys! Apparently my talk was optional, and the only people interested in hearing an author speak were girls. So while I'm glad they were there, it's very disheartening to see how little boys are into reading.

Anyway...

Just kidding! Seriously? You believed me for even a second? The Connelly School is an all-girl school. Contrary to popular belief, boys do read. (Although, I've never been invited to an all-boys school. So...somebody fix that.)

Thank you to all of the students and faculty who made this such a wonderful visit!

The timing and location of this visit worked in my favor for something unrelated to being an author. As a kid, I was totally into He-Man and Thundercats. I actually went through rolls of film (remember that stuff?) taking pics of my action figures in action, moving them slightly between shots so that I could create a flipbook.

The first thing I remember really investigating as a possible career was that of an animator. And that was mostly because of those cartoons (and Ducktales, of course!). So where is all this going? Well, see...about a half-hour from Anaheim was...um...well...a He-Man, Thundercats, Teenage Mutant Ninja Turtles convention (TMNT came around a little too late for me to get into as a kid), so I went.

There! I said it! I've never been to any sort of fan convention, and I've always wondered what they were like. So I went! There! Say what you will!

And it was amazing. I got to meet the voice of Lion-O from Thundercats. Not only does he do many other voices, but he's a very funny dude.


Then I met the voice of Skeletor from He-Man, Alan Oppenheimer. He's a very nice guy who chose to do a high-pitched, more comedic voice for the villain because he didn't have much interest in playing someone more menacing. That unusual choice changed the way the creators saw that character and then wrote that character.


And I was lucky enough to be the first person to capture the meeting of the original voice of Skeletor and the most recent voice actor, Brian Dobson. I love this shot because you can see the respect between them.


Here's Mr. Oppenheimer, and then Mr. Dobson, giving the audience what it wants!


For me, the best panel over the two days was the Thundercats panel, which featured two writers and four voice actors. All these years later, the camaraderie and love between the actors was obvious. The respect was definitely there on other panels that featured actors from later incarnations of the various shows, but not the same love. I'm sure that has to do with how the voices were recorded. Now, the actors mostly go into studios alone. Back then, the actors were usually in the room together.


The panel below featured several of the people who came up with the concept and design for the He-Man figures. The ability to hear from the actors, writers, and toy designers behind so much of my childhood was fascinating and a little surreal.


I also attended a panel with the designers of the Teenage Mutant Ninja Turtles. And here is the very first sculpture made of one of those funky pizza-eating amphibians.


And of course, there was a costume contest.


I went to Power-Con to learn behind-the-scenes secrets of an industry I've always wanted to know more about (as well as to give goosebumps to my inner-child). I'm definitely nowhere near being a fan on the level of most people at that convention. The most highly attended panel was one put on by Mattel to announce upcoming collectibles. I didn't attend that panel because my interests are in the history surrounding these properties. And that's why I left the convention with two original He-Man animation cells!



"I...have...the power!!!"

Thursday, September 12, 2013

Fall 2013 Children's Books

Browsing through the Fall 2013 Children’s Books issue of Publishers Weekly, and based solely on the brief descriptions provided, these are the soon-to-be released (or recently released) middle-grade and teen novels that most grabbed my attention:

Marie Antoinette, Serial Killer by Katie Alender. During a school trip to Paris, Colette realizes that the ghost of the historic queen is killing descendants of those responsible for her beheading.

Searching for Sarah Rector: The Richest Black Girl in America by Tonya Bolden tells the rags-to-riches tale of an African-American girl in the early 20th century whose government-bequeathed land held millions of dollars’ worth of oil.

Followers by Anna Davies. Someone has hacked Briana’s Twitter account and is live-tweeting murders on campus.

The Living by Matt de la Peña. Shy’s summer cruise-ship job turns into a fight for survival when a massive earthquake hits Southern California.

Dare Me by Eric Devine. Ben and his friends try to make a name for themselves by taking on a series of dangerous dares they film and post online.

If You Could Be Mine by Sara Farizan is a debut novel about forbidden love between two young women in Iran.

Fake ID by Lamar Giles. In this debut thriller, a teen in the witness protection program tries to maintain his cover while investigating his friend’s mysterious murder.

Jack Strong Takes a Stand by Tommy Greenwald, illus. by Mendes Melissa. Fed up with being overscheduled, Jack stages a sit-in on the family couch.

Hideous Love: The Story of the Girl Who Wrote Frankenstein by Stephanie Hemphill recounts the story of Gothic novelist Mary Shelley, who as a teen girl fled her restrictive home for her boyfriend, poet Percy Shelley.

Reality Boy by A.S. King. Gerald, part of a TV reality show when he was five, struggles to break free of his anger as a teenager.

Two Boys Kissing by David Levithan. Based on true events, this story stars two 17-year-olds about to take part in a 32-hour kissing marathon to set a new Guinness World Record.

The Nine Lives of Alexander Baddenfield by John Bemelmans Marciano, illus. by Sophie Blackall. Wicked Alexander finds a way to transplant the nine lives from his cat into himself.

3:59 by Gretchen McNeil is a sci-fi horror story about two girls who are doppelgangers and see their worlds overlap every 12 hours.

Being Sloane Jacobs by Lauren Morrill. Two very different girls with the same name meet by chance and trade places for the summer.

Dorothy Must Die by Danielle Page. Oz has turned into a savage dystopia under Dorothy’s rule—and \now a new girl from Kansas must take her down.

Forgive Me, Leonard Peacock by Matthew Quick. Leonard says goodbye to those closest to him on the day he hides a gun in his backpack and plans to kill his former best friend and himself.

Tag Along by Tom Ryan. Four teens forge friendships on prom night as they help one another through disappointment, near-arrest, parental interference, and panic attacks.

Who I’m Not by Ted Staunton. A kid in trouble with the law assumes the identity of a boy who vanished three years earlier.

Fallout by Todd Strasser. In 1962, neighbors take refuge in the only bomb shelter around—the one that Scott’s dad was ridiculed for building.

My Totally Awkward Supernatural Crush by Laura Toffler-Corrie. In this spoof of the paranormal genre, a dorky girl meets her true love, an angel, at an Outback Steakhouse.

The Rule of Three by Eric Walters. What happens when the entire world goes dark?

The Fantastic Family Whipple by Matthew Ward. Eleven-year-old Arthur is the only one of 13 kids in the family who hasn’t broken a world record.

Friday, September 06, 2013

GETT1NG INK3D

I've seen tattoos inspired by Thirteen Reasons Why before, whether it's a series of symbols to remind the wearer of certain ideas in the book, or a passage written on the back of a leg.
 
Below are two different designs based around the first line of a poem in the book. I've seen the second design used on various art projects, but this is the first time I've seen it inked on skin. I wonder if this person knows where the line originated. If not, I at least hope he/she would like the book!
 

Friday, August 30, 2013

Books Tour

This week, I had visitors from Germany! The woman who works at my German publisher, maintaining my Facebook pages over there, stopped by. She and her boyfriend are on a cross-country tour, and it brought them through my town. I took them to a few tourist spots, but we also stopped at places that inspired settings in Thirteen Reasons Why and The Future of Us. Vipsana took photos at each stop to post online for my German readers.

Here we are in the garden at Linnaea's Café, the inspiration for Monet's Café in 13RW.


Inside the café, she took photos of the "scribble books" used by customers, though we had to delete some pics when we realized the pages had swear words galore! (They were English swear words, but I think Hollywood has made them understandable around the world.)

We then visited the movie theater and library that made their way into Thirteen Reasons Why, and the donut shop and city park from The Future of Us. When we pulled up to the park, Vipsana got excited because she said it was exactly as she'd pictured. The fictional world came to life!

My next book may feature a scene at Bubblegum Alley, so we had to stop there. The alley runs between two stores and is covered on both sides by...what else?


One of these bubblegum blobs was donated by Vipsana. But I promise, when I was in Germany last year, I threw all of my gum in the trash where it belongs!

I had a wonderful time meeting another person from my German publishing house. Any of you other foreign publishers who want to send representatives my way, I'd love to meet them. Or if anyone from my U.S. publisher ever makes it to the west coast, stop on by!

Saturday, August 10, 2013

SCBWI 2013

The Society of Children's Book Writers & Illustrators has been a huge part of my career and kept me inspired the many years before I finally sold a book. I've attended their L.A. conference every year since 2000, and this year was an exceptionally great one. I met writers I've wanted to meet for a long time, caught up with friends I see far too seldom, and made contacts that could help projects I'm currently working on.
 
Here's Lin Oliver welcoming the 1,200+ attendees in the ballroom.
 

Carolyn Mackler and I haven't seen each other in person since The Future of Us book tour in January 2011. So it was great to hang out (and brainstorm!) in person again. We also had a lot of fun running a workshop on co-authoring a novel. You can read about that talk here.


At an SCBWI conference, authors and illustrators are everywhere! If you read other blogs from people who attended this conference, you'll notice a lot of pictures are taken near the bar. That's (mostly) because the bar is the center of the lobby. It's not (entirely) because that's where creative people hang out. Here I am, standing before the bar, with Ellen Hopkins and Veronica Rossi.


I love that SCBWI hosts an evening for published attendees who aren't part of the faculty where they can display, sell, and autograph their books. That's where I picked up three books to take home (signed!) to Isaiah. I bought The Gingerbread Man Loose On the Fire Truck, by Laura Murray...


Open This Little Book, by Jesse Klausmeier (I already had a copy at home, but it's a fave of Izzy's so I had no problem buying another copy)...


and Robots, Robots Everywhere! by Sue Fleiss.


If you've been following my blog for a while, you know that I dress up every year for the conference's Saturday evening theme party. And I usually go all out! As a normally shy person, this is my excuse to break free. ("It wasn't me, it was the costume!") This year, the theme was The Black and White Ball. After coming up with an idea for a costume, I contacted several friends to see if they'd dress up with me. Most said, "Hell no!" Others came up with excuses that sounded to my ears like "I'm too chicken!" But Jessica Freeburg, the Assistant Regional Advisor in Minnesota (and ghost hunter!) bought the costume even as everyone else was saying no.

The day before the theme party, we anonymously emerged in costume and walked through the bookstore. We didn't speak. Communication was done through hand signals, head and shoulder gestures, and dancing. (This post is the first time we're outing ourselves as Checkers!)


Here we are trying our hardest to silently answer Paul O. Zelinsky's questions about the schedule.


Lin Oliver invited us to the stage to encourage people to attend the Black and White Ball, which we attempted to do without speaking.


We also did a "performance art" piece during lunch one day, trying to feed ourselves while mouthless. I saw several people taking pics, and now that you know who we are, I'd love to see them!

Later in the ballroom, Carolyn Mackler gave her keynote presentation. Her husband and sons flew out from NYC with her, and I sat with them as she rocked the ballroom. Literally! As part of her speech, she played a love song recorded in the 90s by a Canadian rock band whose singer fell in love with her. And it was a good song!


That night was the Black and White Ball. And what children's book conference with that theme would be complete without Penguins?


Here I am with Max (a.k.a. Jim Averbeck), who wore a nametag declaring the final two words from Where the Wild Things Are: "Still Hot!!!"


Why am I not in costume? Because throughout the conference people asked me what I was going to wear, and since I wanted Checkers to be anonymous, I told them I'd be there at the beginning but then had to leave for a meeting. It was a lot of fun to hear people say they were disappointed I wasn't dressing up, and then the next day tell me I should've seen these two freaks who dressed in checkered bodysuits. "You couldn't even see their faces!"

Last year, I didn't know there had been an afterparty on the lower floor of the hotel. But this year, I knew about it! And I was going! I knew I'd be too hot as Checkers, so I planned on going as myself. Until I noticed a friend had taken out her hair extensions as part of her costume. I'm not sure if she wants me revealing that she sometimes wears extensions, so I won't name names. And for no reason other than I was tired and dehydrated (you can't even drink water while dressed as Checkers), I decided to put on the extensions and go as Billy Ray Cyrus / Kid Rock / Tim McGraw / Axl Rose, depending on who you ask.


The next day, I grabbed coffee with Laurie Halse Anderson and Stephen Chbosky. We talked about our wonderful readers, book banning, screenwriting, and I may have convinced Mr. Chbosky to speak at the conference next year (he's never been to the conference and was there simply to chat for a while).


At the autograph party, I finally got to meet some authors I'd been on the lookout for throughout the conference, such as Ransom Riggs...


and Tahereh Mafi.


For my signing, I was lucky enough to sit beside...Carolyn Mackler! (Which was a good thing since we were signing copies of the same book.) We even got a chance, for the first time, to sign the Japanese edition of The Future of Us that an attendee brought with her!


After the conference, there's always a faculty party at Lin Oliver's house. The food was delicious, and I was able to find time to chat with people I kept missing at the conference. Here I am with Kirby Larson and Naomi Kinsman.


And then, finally, I got to meet the author/illustrator I'd been too nervous to meet earlier. I kept seeing him, and then chickening out from introducing myself. Bruce Degen wrote and illustrated Jamberry, one of my favorite books to read with Isaiah. That book will always have such special memories for me, which made me nervous to meet The Creator. Thankfully, as is often the case, he turned out to be such a warm and funny guy. (And he wanted me to tell you he's holding a glass containing nothing but jamberry juice.)


The evening ended with a jam session in the living room. Mike Jung, Arthur Levine, and Barney Saltzberg led a singalong of Beatles tunes (and many other songs, but the Beatles songs were the only ones whose lyrics I didn't have to fake knowing).


Next year, maybe I'll open up my costume idea to all of you.

C'mon, don't be chicken!